Bbc Radio Drama Agreement

In accordance with the Radio 4 Extra Geneal Permissions Agreement (expiry date: March 2018), the archive`s programming is paid for on the following basis: Since 2014, the BBC has been writing to authors requesting that its entire catalogue of BBC programmes and television programmes be made available under (paid) conditions similar to those of the bbc contemporary programme commissions. The co-written script mini-parts are prorated and the share is agreed upon when the part is under contract. Z.B. two authors of a 90` coin if on an agreed basis 50:50, each receives a 45` award. If the allocation changes over the course of the letter and the action must be adjusted (with the agreement of all parties), this must be agreed before or when the second half of the tax is paid (not after the event). Prices are calculated per minute on the duration of the slot machine, with the exception of the drama “15 minutes” broadcast on Woman`s Hour, which is paid on real time of 14 minutes. The duration of the slot is as follows: the adaptations of the parts are ordered on the basis of the following rights: The underlying rights are paid to the set of coin/prose material usually published by the minute; Considering that an adapter can benefit, depending on the work, from a lump sum of 35% of the GDR drama rate for very extensive adaptations to develop new scenes or new characters. A writer considered “established” for the purposes of the BBC`s agreement with the WGGB and the LDC for television drama is also considered to be established for radio. A feature scribe must provide the following services: in-depth research; collection and selection of insert material (for example. B news materials, literary material); scripting; Presentation; Interviews, as requested by the BBC, to create a radio programme or a stand-alone object within a radio programme that is a creative treatment of its subject, but does not involve character actors or original material in a dramatic form. For other shows, no remains or repetition fees will be paid and the author will be able to reuse his script (but not the recording) at the end of the exclusive period.

The ability to hire radio contributors at a daily rate remains. Translations of plays, prose and verses are payable at two-thirds of the prices that accrue to each original translator and author. If you are dramatizing an English translation, a producer must clarify the rights to the translation and the underlying work. 2/3 of the prose for the dramatization rate is paid to both the original author/publisher and the British translator/publisher. A well-established writer is a writer in which the author has transmitted 120 minutes of dramatic works, provided it has been done in more than two plays, dramatizations, dramatized movements, adaptations, series or long-running series. The BBC receives more than 100 contributors each month, most of them through false bank data, resulting from artists (or even agents) who change bank details and do not inform the BBC. These require a lot of manual effort to resolve them, which means that contributors do not receive the payments to which they are entitled. In return for these payments, the BBC has the right to send 6 days of broadcasting (up to four shipments per day) for three years in service/simulstream. Acquired rights include the production of an audio stream or temporary downloads for up to 30 days, as well as an additional 7 days to listen (if downloaded) after each transfer: 4Extra Calendars To view the pre-plans, visit this link and enter “Writer” (all the tiny ones) as your password.